Wednesday afternoon, at SPUR’s Oakland office, a crowd of some fifty people came to hear a panel discussion about knitting together the various attractions at the foot of Lake Merritt in Oakland.
At the southern end of Lake Merritt, Oakland’s street grid funnels around several big institutions there, including the Oakland Museum of California, Laney College, and the Henry J. Kaiser Convention Center. All are poorly connected to the lake. SPUR is promoting an initiative to connect the whole schmear through art and better pedestrian linkages.
The panel was composed of Lori Fogarty from the Oakland Museum of California, Kelley Kahn from the City of Oakland Department of Economic and Workforce Development, and Walter Hood from the Hood Design Studio. Benjamin Grant, Urban Design Policy Director for SPUR, kicked off the discussion with the definition of “Place Making” from the National Endowment for the Arts:
In creative placemaking, public, private, not-for-profit, and community sectors partner to strategically shape the physical and social character of a neighborhood, town, tribe, city, or region around arts and cultural activities.
From that definition, he gave several examples from other cities of how planners and policy makers can re-activate quiet and often forgotten areas of a city with art. He cited the Pearl Street Project in Philadelphia, the Waterfire Project in Providence, Rhode Island, the Project Row Houses in Houston, Texas, and the Wynwood Walls of Miami, Florida.
All of these are fascinating examples of urban revitalization and Streetsblog readers should check out their websites. But the Wynwood Walls project seemed a particularly good approach for the institutions of Lake Merritt. Miami did a global search and brought urban artists from all over the world to paint the walls of a warehouse district. The effect was to draw people in and create an enlivened and connected urban space. Of course, Lake Merritt is already the home of the Oakland Museum of California, with its walls and multiple levels acting as an urban tableau.