SPUR

The Bay Area Toll Authority (BATA), a division of the MTC, is expected to approve a $1.3 million contract with TY Lin International consulting to prepare a Project Study Report (PSR) that would analyze the feasibility of adding two pedestrian and bicycle paths on the west span of the Bay Bridge (PDF). TY Lin is already a contractor on the new east span of the Bay Bridge being constructed between Yerba Buena Island and Oakland.

Mayor Gavin Newsom yesterday announced one of his most ambitious plans for re-shaping San Francisco, telling reporters at a press conference with Caltrans Director Will Kemption and Caltrain Director Michael Scanlan that the city would move forward with plans to tear down sections of I-280 through San Francisco.  

Now that the Central Subway has received its Record Of Decision (ROD) from the Federal Transit Administration, advocates are pressing the MTA to start planning for the subway’s extension into North Beach and beyond.

Over the holiday I read a new biography of John Muir, the iconic Victorian-era environmentalist and tireless advocate for wilderness conservation who helped establish the Sierra Club.  Written by environmental historian Donald Worster, the book narrates Muir’s well-known struggle and political machinations over the damming of Hetch Hetchy.  Less widely known was that as a pacifist Muir was a draft dodger during the Civil War (he did abhor slavery), and although he believed America was immoral for allowing the 19th century killing-off of animals, he had to subsume his values to court Teddy Roosevelt, an avid sports hunter, in order to advocate for protecting wilderness.  The storylines about Muir included a critical deconstruction of the politics of the early American conservation movement and this led me to reflect on the similarities between that movement and San Francisco’s contemporary livable city movement.

“Here was a territory that existed for which there was no map,” said Rebar’s Blaine Merker. “We kept seeing little plaques that said these were public spaces, but you had to go past security guards and up elevators to get to them. We felt that art could be a form of urban research, but we needed to create art that was equally as absurd as the spaces.”